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The Big Chance Full Movie In Hindi Free Download Hd 1080p





















































a5c7b9f00b Gangsters try to get a boxer to throw an important fight. Frankie, a young prizefighter, wins a fixed boxing match as part of a crime boss&#39;s plan to have him build up a following and then have him throw a championship fight. Later, while training, Frankie meets Mary as she is going to church with her family, and he begins a romance with her. The crime boss orders Frankie to stay away from Mary, while continuing to arrange for Frankie to win more fights. Just before Frankie&#39;s fight with the champion, he and the boss have an argument. Their plans to fix the fight are overheard by Mary&#39;s young brother, which soon leads to a tense situation. This is a production of the Morris Shiller Company—a minor entity indeed. However, in the opening credits I saw two reasons to stick with the film—Mickey Rooney (in one of his earliest roles) and J. Carroll Naish—two actors that can almost make anything worth watching---well, maybe not this one! The film begins with a fixed boxing match. I was surprised that although they did film footage of a fight, they also used stock footage in a clumsy attempt to cut costs. From here, the story becomes a pretty standard film about the boxer falling in love with a sweet girl and wanting to give up his crooked life. Naturally his &#39;friends&#39; don&#39;t like this and eventually resort to a kidnapping to keep the boxer in their clutches. But, naturally, by the end all is swell.<br/><br/>The problem with this film is that it just isn&#39;t particularly exciting to watch—a definite problem with a boxing film. Poor acting and a sluggish plot don&#39;t help any and it&#39;s a pretty much forgettable film aside from Rooney. As for Naish, well, he did go on to better things. Films about prize-fighting are many, and most of them are very similar in nature. But this low-budget feature presents a hero so boring and plot developments so overly predictable that even the most tepid of those films are practically outstanding in comparison. John Darrow is the most unlikely of prize-fighters, especially when compared to later ones like William Holden, John Garfield, Robert Ryan and even Sylvester Stallone. He looks more like he stepped out of society than a gymnasium and in fact only barely comes to life when he&#39;s involved with the film&#39;s socialite heroine (Myrna Kennedy) and flirting with a femme fatal (played by Natalie Moorehead, who seems to be old enough here to have been fellow vamp Theda Bara&#39;s college roommate) set up to keep him from getting distracted from the criminal element trying to make a quick buck off of him. A few stereotypical characters pop in to try to liven up the action, and there&#39;s even a very young Mickey Rooney as Kennedy&#39;s younger brother tossed in for some cute comic relief. Even at a short running time, the film ranks as a disappointment because it lacks the oomph which later films (especially those of the film noir era) made so much better.

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